Restr:Ada Lovelace 1838.jpg

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William Henry Mote  (1803–1871)  wikidata:Q8012104 s:en:Author:William Henry Mote
 
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W. H. Mote
Deskrivadur engraver
Deiziad ganedigezh/marvedigezh 1803 Edit this at Wikidata 1871 Edit this at Wikidata
Koulzad labour circa 1850
date QS:P,+1850-00-00T00:00:00Z/9,P1480,Q5727902
Authority file
creator QS:P170,Q8012104
Deskrivadur
Poltred Ada Lovelace (1838)
Deiziad 1838
date QS:P571,+1838-00-00T00:00:00Z/9
Mammenn/Luc'hskeudenner

From The Ada Picture Gallery.

Evelyn Silva scanned this from a picture she found "in the trash" in Louisiana, USA, and submitted it to the Ada Picture Gallery in October 2000. She wrote: On the bottom of the picture it says "LONDON PUBLISHED NOV 1 1838 FOR THE PROPRIETORS, No 18 & 19 SOUTHAMPTON PLACE, EUSTON SQUARE, NEW ROAD". In the lower left corner it says "Printered by Mc Queen". On the lower right of the picture its "Engraved By W. H. Mote". On the left "Drawn by A.E. Chaton R.A.". There was also a page with a bio on it. This was not in a book when I found it, it was loose along with some other Ladies of the Queens court. So I don't have any other info on it. It is an original print from its time, not a reproduction.

William Henry Mote did the etching, and this was colored with paint by hand, this is not uncommon in the mid 1800's. Also note, William Henry Mote also had his etching shop on New Road as was mentioned in the London post office journal in 1841. This is an example of art for the masses, or common art which became mass produced in England in the 1800's. However, even so, William Mote was one of the six or so etchers commonly mentioned in the release of a new book, and he did portraits of royalty for books of the day. Now that we have cameras, we dismiss the lifelike qualities of his craft.
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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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red13 Du 2008 da 10:25Munud eus stumm an 13 Du 2008 da 10:25631 × 786 (45 Kio)SeanturveyReverted to version as of 10:22, 13 November 2008
13 Du 2008 da 10:22Munud eus stumm an 13 Du 2008 da 10:22631 × 786 (45 Kio)SeanturveyReverted to version as of 08:40, 4 September 2005
13 Du 2008 da 10:22Munud eus stumm an 13 Du 2008 da 10:22631 × 786 (45 Kio)Erik BaasReverted to version as of 22:26, 20 February 2005
4 Gwe 2005 da 08:40Munud eus stumm an 4 Gwe 2005 da 08:40631 × 786 (45 Kio)PetwoeReverted to earlier revision
20 C'hwe 2005 da 22:26Munud eus stumm an 20 C'hwe 2005 da 22:26631 × 786 (45 Kio)ManuelGRFrom [http://www.cs.kuleuven.ac.be/~dirk/ada-belgium/pictures.html The Ada Picture Gallery] ''Evelyn Silva scanned this from a picture she found "in the trash" in Lousianna, USA, and submitted it to the Ada Picture Gallery in October 2000. She wrote: On t

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