Restr:Richard Earlom, The plundering of the King's cellar, Paris, 10th August, 1793 (i.e., 1792).jpg
Restr orin (4 645 × 3 726 piksel, ment ar restr : 10,27 Mio, seurt MIME : image/jpeg)
Tennet eo ar restr-mañ eus Wikimedia Commons ha gallout a ra bezañ implijet evit raktresoù all. Diskouezet eo deskrivadur he fajenn zeskrivañ amañ dindan. |
Diverradur
Richard Earlom: The plundering of the King's cellar, Paris, 10th August, 1793 (i.e., 1792)
Français : Le pillage de la cave du roi Louis XVI après la prise des Tuileries le 10 Août 1792 ( ) |
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Arzour |
artist QS:P170,Q2360939 |
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Titl |
The plundering of the King's cellar, Paris, 10th August, 1793 (i.e., 1792) Français : Le pillage de la cave du roi Louis XVI après la prise des Tuileries le 10 Août 1792 |
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Deskrivadur |
English: Engraving after contemporary history genre painting depicting events in Paris, France on August 10th 1792, in particular, the aftermath of the storming of the Tuileries Palace by sansculottes showing the imagined scene outside the King's wine cellar. The central figure, a sansculotte, after Bernìni's "David", drags a basket containing bottles of wine; mayhem radiates from this point. In the lower right foreground, a Jew is depicted bartering with a woman for an article of clothing stripped from a slain Swiss guard; a sack on his back contains silver and a monstrance from which the Host has fallen to the ground at his feet, having already plundered the Palace chapel. In the center foreground, an aristocratic woman is about to be stabbed by two poissardes. In the general mayhem on the left, a former National guardsman, whose allegiance to the sansculottes is indicated by his lack of trousers, guzzles wine, while another man pours wine into the mouth of a slain Swiss guard, not realizing that two black women are picking his pockets. Behind them someone holds a pike with the severed head of a Swiss guard and a woman attaches a severed body part to another pike. To the rear, at center, a ladder has been placed at the cavernous opening to the wine cellar, several figures stand on it, one of which holds aloft a bonnet rouge, another struggles to assist others in removing the escutcheon from over the center of the entrance while one attempts to deface it. On the right corner of the roof is a statue of Hercules clubbing the Cerberus or possibly the Hydra, beneath which, from a support for a lamp, two men hang a clergyman. The scene to the right of center is dominated by a woman with an ax about to chop off the head of a fallen Swiss guard, another guard is about to be stabbed. Just to the left of the woman stands a Native American woman holding a severed head above her own. In the middle ground, on the far right, stands a cart laden with the bodies of slain Swiss guards. One other prominent figure is a man standing at the back of the basket of wine hauled by the central sansculotte, this man, making a derisive gesture with his left hand, bears the likeness of en:William Hogarth, an English artist noted for portrayals of mayhem among the lower classes.
Français : Gravure d'après une peinture de genre de l'histoire contemporaine illustrant le 10 août 1792, après l'assaut du palais des Tuileries par les sans-culotte une scène imaginaire du pillage de la cave du roi. Le personnage central est un sans-culotte inspiré par le "David" de Gian Lorenzo Bernini, traîne un panier contenant des bouteilles de vin; le chaos irradie tout autour de lui. |
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Deiziad | Published as the act directs by J. Zoffany, 1795 Jany. 1st. | ||||||||||||||||||||||||||
Mod | 1 print : mezzotint ; 53.2 x 66.2 cm. (plate) | ||||||||||||||||||||||||||
Mammenn/Luc'hskeudenner |
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Aotre-implijout
Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. | |
Rummet eo bet ar restr-mañ e-touez ar restroù hep strishadurioù implij anavezet evit ar pezh a sell ouzh ar gwirioù aozer, ha kement-se evit an holl wirioù kar ha stag. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Items portrayed in this file
diskouez a ra
Istor ar restr
Klikañ war un deiziad/eur da welet ar restr evel ma oa da neuze.
Deiziad/Eur | Munud | Mentoù | Implijer | Notenn | |
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red | 21 Kzu 2012 da 19:10 | 4 645 × 3 726 (10,27 Mio) | Paris 16 |
Implij ar restr
Implijout a ra an 3 pajenn da heul ar restr-mañ :
Implij hollek ar restr
Ober a ra ar wikioù da-heul gant ar restr-mañ :
- Implij war en.wikipedia.org
- Implij war fr.wikipedia.org
- Implij war id.wikipedia.org
- Implij war zh.wikipedia.org
Metaroadennoù
Titouroù ouzhpenn zo er restr-mañ; bet lakaet moarvat gant ar c'hamera niverel pe ar skanner implijet evit he niverelaat. Mard eo bet cheñchet ar skeudenn e-keñver he stad orin marteze ne vo ket kenkoulz munudoù zo e-keñver ar skeudenn kemmet.
Aozer | Library of Congress |
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Kenaozadur piksel | RGB |
Tuadur | Boutin |
Pizhder led ar skeudenn | 450,29 dpi |
Pizhder hed ar skeudenn | 450,29 dpi |