Restr:Jean-Auguste-Dominique Ingres - Oedipus and the Sphinx - Walters 379.jpg
Ment ar rakweled-mañ : 500 × 599 piksel. pizhderioù all : 200 × 240 piksel | 401 × 480 piksel | 641 × 768 piksel | 855 × 1 024 piksel | 1 502 × 1 799 piksel.
Restr orin (1 502 × 1 799 piksel, ment ar restr : 2,79 Mio, seurt MIME : image/jpeg)
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Tennet eo ar restr-mañ eus Wikimedia Commons ha gallout a ra bezañ implijet evit raktresoù all. Diskouezet eo deskrivadur he fajenn zeskrivañ amañ dindan. |
Diverradur
Jean-Auguste-Dominique Ingres: Oedipus and the Sphinx
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| Titl |
Oedipus and the Sphinx |
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genre art |
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| Deskrivadur |
English: The Sphinx, a mythical creature-part lion, part woman-grimaces in horror as Oedipus solves her riddle: "What is that which has one voice and yet becomes four-footed, two-footed, and three-footed?" Oedipus replies, "Man, for as a babe he is four-footed, as an adult he is two-footed, and as an old man he gets a third support, a cane," and the Sphinx hurls herself onto the rocks below, which are strewn with the bones of her victims.
Ingres, who frequently repeated the subjects of his paintings, first depicted this story at the beginning of his career and returned to it several times, making variations in the composition, such as reversing the direction in which the figures faced. |
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| Depicted people |
Sfins |
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| Deiziad | 1864 | ||||||||||||||||||||||||
| Mod | oil on canvas | ||||||||||||||||||||||||
| Mentoù | uhelder: 105,5 cm; led: 87 cm; Framed uhelder: 150,8 cm; led: 132,4 cm; depth: 18,7 cm | ||||||||||||||||||||||||
| Dastumad |
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| Niverenn renabl |
37.9 |
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| Place of creation | France | ||||||||||||||||||||||||
| Istor ar pezh |
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| Diskouezadegoù | Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 1999-2000. Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951. Flight, Fantasy, Faith, Fact. Dayton Art Institute, Dayton. 1953-1954. Ingres in American Collections. Paul Rosenberg & Co., New York, New York. 1961. Masterpieces of Art ? Century 21 Exposition (Seattle World's Fair). Seattle World's Fair, Seattle. 1962. Neo-Classicism: Style and Motif. The Cleveland Museum of Art, Cleveland. 1964. Man: Glory, Jest, and Riddle, A Survey of the Human Form Through the Ages. Fine Arts Museums of San Francisco, San Francisco; Fine Arts Museums of San Francisco, San Francisco. 1964-1965. From El Greco to Pollock: Early and Late Works by European and American Artists. Baltimore Museum of Art, Baltimore. 1968. In Pursuit of Perfection: The Art of J.- A.- D. Ingres. Speed Art Museum, Louisville; Kimbell Art Museum, Fort Worth. 1983-1984. Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. Ingres, 1780-1867. Musée du Louvre, Paris. 2006. Déjà Vu? Revealing Repetition in French Masterpieces. The Walters Art Museum, Baltimore; Phoenix Art Museum, Phoenix. 2007-2008. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011. | ||||||||||||||||||||||||
| Akuizitadur | Acquired by Henry Walters, 1908 | ||||||||||||||||||||||||
| Enskrivadurioù | [Signature] Lower center: J. Ingres fbat/etatis/; [Date] Lower center: LXXXIII/1864; [Number] On reverse: 160; [Number] On reverse: 6385 | ||||||||||||||||||||||||
| Daveennoù |
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| Mammenn |
Walters Art Museum:  Home page  Info about artwork |
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| Stummoù all |
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Aotre-implijout
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This file was provided to Wikimedia Commons by the Walters Art Museum as part of a cooperation project. All artworks in the photographs are in public domain due to age. The photographs of two-dimensional objects are also in the public domain. Photographs of three-dimensional objects and all descriptions have been released under the Creative Commons Attribution-Share Alike 3.0 Unported License and the GNU Free Documentation License.
In the case of the text descriptions, copyright restrictions only apply to longer descriptions which cross the threshold of originality.
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This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
This digital reproduction has been released under the following licenses:
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory. | ||||||
Istor ar restr
Klikañ war un deiziad/eur da welet ar restr evel ma oa da neuze.
| Deiziad/Eur | Munud | Mentoù | Implijer | Notenn | |
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| red | 21 Meu 2012 da 22:46 | | 1 502 × 1 799 (2,79 Mio) | File Upload Bot (Kaldari) | == {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jean Auguste Dominique Ingres}} |title = ''Oedipus and the Sphinx'' |description = {{en|The Sphinx, a mythical creature-part lion, part woman-grimaces in ... |
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