Restr orin (3 000 × 2 009 piksel, ment ar restr : 2,06 Mio, seurt MIME : image/jpeg)
Tennet eo ar restr-mañ eus Wikimedia Commons ha gallout a ra bezañ implijet evit raktresoù all. Diskouezet eo deskrivadur he fajenn zeskrivañ amañ dindan.
Botticelli made this painting on the description of a painting by Apelles, a Greek painter of the Hellenistic period. Apelles' works have not survived, but Lucian recorded details of one in his On Calumny:
“On the right of it sits Midas with very large ears, extending his hand to Slander while she is still at some distance from him. Near him, on one side, stand two women—Ignorance and Suspicion. On the other side, Slander is coming up, a woman beautiful beyond measure, but full of malignant passion and excitement, evincing as she does fury and wrath by carrying in her left hand a blazing torch and with the other dragging by the hair a young man who stretches out his hands to heaven and calls the gods to witness his innocence. She is conducted by a pale ugly man who has piercing eye and looks as if he had wasted away in long illness; he represents envy. There are two women in attendance to Slander, one is Fraud and the other Conspiracy. They are followed by a woman dressed in deep mourning, with black clothes all in tatters—she is Repentance. At all events, she is turning back with tears in her eyes and casting a stealthy glance, full of shame, at Truth, who is slowly approaching.”
Deiziad
circa 1496 - circa 1497
date QS:P571,+1496-00-00T00:00:00Z/8,P1319,+1496-00-00T00:00:00Z/9,P1326,+1497-00-00T00:00:00Z/9,P1480,Q5727902
Collection Rodolfo Sirigatti, Firenze
Collection Bianca Cappello, Firenze
-1632: Collection don Antonio de' Medici, Firenze
-1773: Palazzo Pitti, Galleria Palatina e Appartamenti, Archivio segreto, Firenze
1773: Galleria degli Uffizi, Palazzo degli Uffizi, Firenze
13-6-1940: Villa medicea di Poggio a Caiano, Poggio a Caiano
31-10-1940: Eremo di Camaldoli, Poppi, Camaldoli
8-6-1945: Galleria degli Uffizi, Palazzo degli Uffizi, Deposito, Firenze
24-6-1948: Galleria degli Uffizi, Palazzo degli Uffizi, Firenze
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
Titouroù ouzhpenn zo er restr-mañ; bet lakaet moarvat gant ar c'hamera niverel pe ar skanner implijet evit he niverelaat. Mard eo bet cheñchet ar skeudenn e-keñver he stad orin marteze ne vo ket kenkoulz munudoù zo e-keñver ar skeudenn kemmet.