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Diverradur

Hieronymus Bosch: The Seven Deadly Sins and the Four Last Things  wikidata:Q2304870 reasonator:Q2304870
Arzour
Hieronymus Bosch or follower  (circa 1450
date QS:P,+1450–00–00T00:00:00Z/9,P1480,Q5727902
–1516)  wikidata:Q130531 s:fr:Portail:Jérôme Bosch q:it:Hieronymus Bosch
 
Hieronymus Bosch or follower
Anvioù all
Jheronimus Bosch, Jheronimus van Aken,
Jheronimus van Aeken, Jheronimus Anthonissoen van Aken
Deskrivadur Dutch-Southern Netherlandish livour, drawer, architectural draftsperson ha(g) visual artist
Deiziad ganedigezh/marvedigezh circa  Edit this at Wikidata 9 August 1516 (buried)
Lec'h ganedigezh/marvedigezh 's-Hertogenbosch 's-Hertogenbosch
Koulzad labour 1474 Edit this at Wikidata–1516 Edit this at Wikidata
Lec'hiadur al labour
's-Hertogenbosch (1474–1516) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Titl
The Seven Deadly Sins
Seurt traezenn livadur Edit this at Wikidata
Doare religious art Edit this at Wikidata
Deiziad 1500 - 1525
date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1500-00-00T00:00:00Z/9,P1326,+1525-00-00T00:00:00Z/9
Mod oil on panelmedium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Mentoù uhelder: 120 cm; led: 150 cm
dimensions QS:P2048,120U174728
dimensions QS:P2049,150U174728
institution QS:P195,Q160112
Lec'hiadur a-vremañ
room 56a
Niverenn renabl
P02822
Place of creation 's-Hertogenbosch (?)
Istor ar pezh Deiziad dianav
Unknown date
: acquired by Philip II of Spain (1527-1598)

Ebrel 1574: transferred to the Monasterio de El Escorial, San Lorenzo de El Escorial (as ‘Una tabla en que está pintado los siete pecados mortales con un cerco redondo y en medio dél la figura de Christo Nuestro Señor y à las quatro esquinas de la tabla otros quatro circulos en que está pintado: en uno la muerte, en otro el juycio, en otro el infierno, y en el otro el parayso, de mano de Gerónimo Bosqui, que tiene quatro puies de alto y cinco de ancho’)

by 1605
date QS:P,+1605-00-00T00:00:00Z/7,P1326,+1605-00-00T00:00:00Z/9
: ‘en el aposento de su Majestad’, Monasterio de El Escorial, San Lorenzo de El Escorial
by 1912
date QS:P,+1912-00-00T00:00:00Z/7,P1326,+1912-00-00T00:00:00Z/9
: Salón de Embajadores, Monasterio de El Escorial, San Lorenzo de El Escorial
1939: transferred to the Museo del Prado, Madrid, from Monasterio de El Escorial, San Lorenzo de El Escorial
Enskrivadurioù

:

Cave cave d[omi]n[u]s videt
[Beware, beware, the Lord sees [you]]

:

Gens absque consilio est et sine prudentia / Utinam saperent et intelligerent ac novissima providerent
[For they are a nation void of counsel, neither is there any understanding in them. O that they were wise, that they understood this, that they would consider their latter end!]
Deuteronomy 32.28-29

:

Anscondam faciem meam ab eis et considerabo novissima eorum
[I will hide my face from them, I will see what their end shall be.]
Deutoronomium 32.20

Signature :

Jheronimus bosch

:

Ira

:

Superbia

:

luxuria

:

Accidia

:

Gula

:

Avaricia

:

Invidia
Daveennoù

AnonymousUnknown author, RKDimages, Art-work number 60891, as Hieronymus Bosch or follower, Tafelblad met de zeven hoofdzonden, 1500-1525 AnonymousUnknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002086, as Hieronymus Bosch, Les péchés capitaux, 1500-1525.
AnonymousUnknown author, Bildindex der Kunst und Architektur, object 20411854, as Hieronymus Bosch, Die sieben Todsünden und die Vier Letzten Dinge, 1480-1500
Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 170, 178, no skeudenn, as Sept péchés capitaux, ‘Salle des Ambassadeurs de l'Escurial’.
Fourcaud, L. de (Genver 1912–C'hwevrer 1912) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 172, 173, no skeudenn, as les Sept péchés capitaux.
Fraenger, Wilhelm (1994) Hieronymus Bosch, Basel: The Gordon and Breach Publishing Group G+B Arts International, ISBN 976-6410-40-2, p. 267, as The Table of Wisdom, formerly known as The Seven Deadly Sins.
Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 87, as Hieronymus Bosch, The Seven Deadly Sins.
Koldeweij, A.M., P. Vandenbroeck en B. Vermet (2001) Jheronimus Bosch. Alle schilderijen en tekeningen, Rotterdam: NAi Uitgevers, Gent/Amsterdam: Ludion, ISBN 90-5662-219-6, p. 183, as Hieronymus Bosch or follower, Tafelblad met de Zeven Hoofdzonden, 1500-1525, with color image.
Koldeweij, Jos, Paul Vandenbroeck, Bernard Vermet (2001) Hieronymus Bosch. The Complete Paintings and Drawings, Ghent/Amsterdam: Ludion, ISBN 0-8109-9064-4, p. 88, as Tabletop of the Seven Deadly Sins.
Marijnissen, Roger H. ([1987]) Hieronymus Bosch. Het volledige oeuvre, Haarlem: Gottmer/Brecht, ISBN 90-2300-651-8, p. 329, as De Zeven hoofdzonden.


Tolnay, Charles de (1986 [1984]) Hieronymus Bosch, Alphen aan den Rijn: Atrium, ISBN 90-6113-164-2, kat. nº 2, p. 336-337, as De zeven Hoofdzonden, with color image.
Mammenn/Luc'hskeudenner The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
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File:Hieronymus Bosch- The Seven Deadly Sins and the Four Last Things.JPG
Version from www.museodelprado.es
File:Hieronymus Bosch - The Seven Deadly Sins - WGA2500.jpg
Version from www.wga.hu
File:Boschsevendeadlysins.jpg

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Public domain
The work of art depicted in this image and the reproduction thereof are in the public domain worldwide. The reproduction is part of a collection of reproductions compiled by The Yorck Project. The compilation copyright is held by Zenodot Verlagsgesellschaft mbH and licensed under the GNU Free Documentation License.

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