Restr:Georges de La Tour - The Repentant Magdalen - Google Art Project.jpg

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Diverradur

Georges de La Tour: The Repentant Magdalen  wikidata:Q3210250 reasonator:Q3210250
Arzour
Georges de La Tour  (1593–1652)  wikidata:Q203371 q:it:Georges de La Tour
 
Georges de La Tour
Anvioù all
Georges de Latour
Georges du Mesnil Latour
Georges Dumesnil Latour
Deskrivadur French livour ha(g) architectural draftsperson
Deiziad ganedigezh/marvedigezh 13 Meurzh 1593 Edit this at Wikidata 30 Genver 1652 Edit this at Wikidata
Lec'h ganedigezh/marvedigezh Vic-sur-Seille Lunéville
Lec'hiadur al labour
Lorraine, Pariz
Authority file
artist QS:P170,Q203371

Details on Google Art Project
image of artwork listed in title parameter on this page
Titl
saozneg:
The Repentant Magdalen
title QS:P1476,en:"The Repentant Magdalen"
label QS:Len,"The Repentant Magdalen"
Rann eus Paintings of penitent Magdalene by La Tour Edit this at Wikidata
Seurt traezenn livadur
object_type QS:P31,Q3305213
Doare religious art Edit this at Wikidata
Deskrivadur
Penitent Magdalene Edit this at Wikidata
Depicted people Mari Madalen Edit this at Wikidata
Deiziad (c. 1635 - 1640)
Mod oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Mentoù uhelder: 1 130 mm; led: 927 mm
dimensions QS:P2048,1130U174789
dimensions QS:P2049,927U174789
institution QS:P195,Q214867
Niverenn renabl
1974.52.1
Istor ar pezh

Marquise de Caulaincourt, by 1877; by inheritance to his sister, comtesse de Andigné, by 1911.[1] art market, Paris; André Fabius, Paris, by 1936;[2] purchased 1974 by NGA.


[1] On the back of the stretcher is the stencil of Etienne François Haro (1827 1897) and his son Henri (1855 1911), important Parisian restorers and vendors of art supplies, as well as artists themselves. An entry in the Haro account book for 9 October 1877 provides the early provenance, information that was first published by Pierre Rosenberg and Jacques Thuillier, "George de La Tour," Revue du Louvre et des Musées de France 22, no. 2 (1972): 161, followed, with slightly differing details, by Pierre Rosenberg and François Macé de l'Épinay, Georges de La Tour: vie et oeuvre, Fribourg, 1973: 140, and Benedict Nicolson and Christopher Wright, Georges de La Tour, London, 1974: 175.

[2] The three references to the painting that discuss its provenance (see note 1) provide differing accounts of when and where Fabius acquired the painting: Rosenberg and Thuillier 1972 say 1936; Rosenberg and Macé de l'Épinay 1973 say a public sale in 1936; Nicolson and Wright 1974 say the Paris art market before 1936.
Notennoù More info at museum site
Daveennoù
Mammenn/Luc'hskeudenner 2QGwZrE8Px8k9A at Google Cultural Institute maximum zoom level
Stummoù all

Aotre-implijout

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1652, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

Rummet eo bet ar restr-mañ e-touez ar restroù hep strishadurioù implij anavezet evit ar pezh a sell ouzh ar gwirioù aozer, ha kement-se evit an holl wirioù kar ha stag.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Captions

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The Repentant Magdalen (c. 1635-1640). Oil on canvas, 113.0 x 92.7 cm (44.5 x 36.5 in). National Gallery of Art, Washington, D.C.

Items portrayed in this file

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The Repentant Magdalen saozneg

Istor ar restr

Klikañ war un deiziad/eur da welet ar restr evel ma oa da neuze.

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