Diverradur

Leonardo da Vinci: Annunciation
Arzour	Leonardo da Vinci  (1452–1519)       Anvioù all Leonardo di ser Piero da Vinci, Leonardo Deskrivadur Italian livour, Ijinour, steredoniour, prederour, anatomist ha(g) matematikour Deiziad ganedigezh/marvedigezh 15 Ebrel 1452 / 1452  2 Mae 1519 / 1519  Lec'h ganedigezh/marvedigezh Anchiano Amboise Koulzad labour 1466 - 1519 date QS:P,+1500-00-00T00:00:00Z/6,P580,+1466-00-00T00:00:00Z/9,P582,+1519-00-00T00:00:00Z/9 Lec'hiadur al labour Firenze (1466–1482), Milano (1483–1499), Mantova (1499), Venezia (1500), Firenze (1500–1506), Milano (1506–1513), Firenze (1507–1508), Roma (1513–1516), Amboise (1513–1518) Authority file : Q762 VIAF: 24604287 ISNI: 000000012124423X ORCID: 0000-0002-3013-9914 ULAN: 500010879 Open Library: OL54736A WorldCat artist QS:P170,Q762
Titl	Degemenn
Seurt traezenn	livadur
Doare	religious art
Deskrivadur	Degemenn
Depicted people	Mari  Gabriel
Deiziad	circa 1472
Mod	oil on panel medium QS:P186,Q296955;P186,Q106857709,P518,Q861259
Mentoù	uhelder: 98 cm; led: 217 cm dimensions QS:P2048,98U174728 dimensions QS:P2049,217U174728
Dastumad	Mirdi an Ofisoù    Native name Galleria degli Uffizi Location Firenze Coordinates 43° 46′ 06″ N, 11° 15′ 19″ R   Established 1581 (built), 1765 (open to public) Lec'hienn www.uffizi.it  Authority file : Q51252 VIAF: 169401840 ISNI: 0000000121721622 ULAN: 500125191 LCCN: n79007196 GND: 2042762-1 WorldCat institution QS:P195,Q51252
Niverenn renabl	00285888 (Mirdi an Ofisoù)
Daveennoù	Leonardo da Vinci: The Complete Paintings and Drawings, V  https://www.wga.hu/html/l/leonardo/01/2annunc.html  Florentine musea Inventario 1890 ID: 1618  Google Arts & Culture asset ID: sAErNLFH1KFYmw  Bpk-ID: 00016132  Zeri image ID: 34358  Uffizi artwork ID: annunciation  Florentine musea catalogue ID: 00285888  1001 Paintings You Must See Before You Die, p. 107
Authority file	: Q1217213 GND: 4415837-3 BNF: 123561252
Mammenn/Luc'hskeudenner	Leonardo Da Vinci,The Annnuciation [1]
Aotre (Adimplij ar restr-mañ)	This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Rummet eo bet ar restr-mañ e-touez ar restroù hep strishadurioù implij anavezet evit ar pezh a sell ouzh ar gwirioù aozer, ha kement-se evit an holl wirioù kar ha stag. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
Stummoù all	skeudenn  image with frame

Aotre-implijout

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domainPublic domainfalsefalse This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Rummet eo bet ar restr-mañ e-touez ar restroù hep strishadurioù implij anavezet evit ar pezh a sell ouzh ar gwirioù aozer, ha kement-se evit an holl wirioù kar ha stag. https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain". This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Notes from Wikipedia

Wikipedia:File:The_Annunciation.jpg

THE PAINTING WORK OF LEONARDO DA VINCI

1472-75 Oil on panel, 98 x 217 cm Galleria degli Uffizi, Florence,Italy.

The archangel Gabriel is kneeling as a dignified profile figure and raising his right hand in greeting to Mary, indicating her divine pregnancy. The Virgin has stopped reading and reacts to the Annunciation with an expression of deep respect and by gesturing with her left hand. There is a conspicuous perspectival mistake: her right arm had to be painted too long proportionally, so that, despite her seated position, it would still be able to depict the impressive position other hand over the prie-dieu. Leonardo depicted Mary in a three-quarter profile in front of the corner of a room. All three spatial coordinates - height, width and depth - converge on this point, thus creating a sense of depth in the picture as well as enhancing the importance of Mary. Her head clearly contrasts with the dark wall and her body is emphatically framed by the cornerstones whose parallel lines are converging on her.

The work came to the Uffizi in 1867 from the monastery of San Bartolomeo of Monteoliveto, near Florence. It was ascribed to Domenico Ghirlandaio until 1869, when some critics recognised it as a youthful work by Leonardo, executed around 1472-1475, when he was still an apprentice in the workshop of his master, Andrea del Verrocchio. The sacred scene is set in the garden of a Florentine palace, with a landscape on the background which is already peculiarly Leonardesque, for the magic and unreal atmosphere created by mountains, water and sky. Leonardo's personality is pointed out also in the beautiful drapery of the Virgin and the Angel, while the marble table in front of her probably quotes the tomb of Piero and Giovanni dei Medici in the church of San Lorenzo sculpted by Verrocchio in this period.