Restr:Carlos V en Mühlberg, by Titian, from Prado in Google Earth.jpg

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Tizian: Equestrian Portrait of Charles V  wikidata:Q1123378 reasonator:Q1123378
Arzour
Tizian  (1490–1576)  wikidata:Q47551 s:it:Autore:Tiziano q:en:Titian
 
Tizian
Anvioù all
Tiziano Vecelli; Tiziano Vecellio
Deskrivadur Italian livour, drawer, architectural draftsperson ha(g) printmaker
Deiziad ganedigezh/marvedigezh 1485 - 1490
date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1485-00-00T00:00:00Z/9,P1326,+1490-00-00T00:00:00Z/9
27 Eost 1576 Edit this at Wikidata
Lec'h ganedigezh/marvedigezh Pieve di Cadore Venezia
Lec'hiadur al labour
Venezia (1498), Ferrara, Mantova, Padova (1511), Milano (1540), Roma (1545–1546), Firenze (1546), Augsburg (1548, 1550–1551), Kergustentin (today Istanbul) (1555-1557)
Authority file
artist QS:P170,Q47551
image of artwork listed in title parameter on this page
Titl
Seurt traezenn livadur Edit this at Wikidata
Doare equestrian portrait Edit this at Wikidata
Deskrivadur
English: Portrait of Charles V on horseback, painted by Titian in Augsburg (1548) to celebrate the Battle of Mühlberg, located in the Museo del Prado of Madrid.
Español: Retrato ecuestre del mperador Carlos V (1500–1558), que aparece llevando la armadura que usó en la batalla de Mühlberg, que se libró en 1547 y en la que el emperador derrotó aplastantemente a los protestantes alemanes.
Deutsch: Dieses Porträt von Kaiser Karl V. (1500–1558) zu Pferde entstand im Gedenken an den Sieg der kaiserlichen Truppen über die Protestanten bei Mühlberg.
Depicted people Karl V an Impalaeriezh Santel Edit this at Wikidata
Deiziad 1548
date QS:P571,+1548-00-00T00:00:00Z/9
Mod oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Mentoù uhelder: 335 cm; led: 283 cm
dimensions QS:P2048,335U174728
dimensions QS:P2049,283U174728
institution QS:P195,Q160112
Lec'hiadur a-vremañ
Sala 027
Niverenn renabl
P00410
Place of creation Augsburg Edit this at Wikidata
Notennoù
Deutsch: Die scheinbare Schlichtheit der Komposition birgt eine vielschichtige Symbolik, die Karl V. in seiner Eigenschaft als christlicher Ritter und Erbe der römischen Kaisertradition zeigt. Ein Beispiel hierfür ist die Lanze, die der Kaiser in seiner rechten Hand hält und die nicht nur ein Machtsymbol der Cäsaren war, sondern auch auf die Waffe des Heiligen Georg und die Lanze des Longinus während der Passion Christi anspielt. (Longinus war ein römischer Soldat, der seine Lanze in den Leib Christi stieß und später zum Christentum übertrat.)

Als formale Vorläufer der Komposition werden die Darstellungen der Reiterstatue von Kaiser Mark Aurel (121–180) in verschiedenen Stichen Albrecht Dürers, wie „Ritter, Tod und Teufel“, sowie Werke von Hans Burgkmair genannt.

Die kaiserliche Rüstung ist Teil der Waffensammlung des Madrider Königspalastes.

Das Werk wurde für Maria von Ungarn geschaffen und geriet zum dynastischen Innbild des österreichischen Königshauses schlechthin. Im Jahr 1827 wurde es in die Sammlung des Prado-Museums aufgenommen.
Daveennoù www.museodelprado.es
Mammenn/Luc'hskeudenner The Prado in Google Earth: Home - 7th level of zoom, JPEG compression quality: Photoshop 10.
Stummoù all

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Equestrian portrait of Charles V (1548). Museo del Prado, Madrid

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red10 Du 2012 da 12:13Munud eus stumm an 10 Du 2012 da 12:1325 284 × 30 000 (190,05 Mio)DcoetzeeUser created page with UploadWizard
20 Mae 2011 da 20:57Munud eus stumm an 20 Mae 2011 da 20:5714 747 × 17 498 (98,97 Mio)Dcoetzee{{LargeImage}} {{Artwork |Title= {{de| Kaiser Karl V. zu Pferde nach der Schlacht bei Mühlberg}} {{en|Charles V at Mühlberg}} {{es|''Carlos V en Mühlberg''}} |medium={{Technique|oil|canvas}} |Dimensions={{size|cm|332

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